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Browsing Arts & Humanities by Author "Bolyuk, Oleh"

Now showing 1 - 9 of 9
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    Instrumentation for Decoration of Folk Textile as Source of Contemporary Print (on the Examples of Lithuanian and Western Ukrainian Folk Items).
    (Lithuania, Kaunas: KTU; Faculty of Mechanical Engineering and Design., 2019) Bolyuk, Oleh; Fedorchuk, Olena; Nenartavičiūtė, E.; Milašienė, D.; Rukuižienė, Ž.
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    Lidová kultura Ukrajinců rakousko-uherské monarchie v etnografické sbírce Františka Řehoře z 80. a 90. let 19. století - Traditional Folk Culture of Ukrainians in Austria-Hungary as Represented in the Ethnographic Collection of František Řehoř from the 1880s and 1890s
    (Institute of Ethnology, Czech Academy of Sciences, 2020) Bolyuk, Oleh; Fedorchuk, Olena; Pohunek, Jan; Valášková, Naďa
    The paper presents preliminary results of the analysis of a lesser-known collection of the Czech self-taught ethnographer František Řehoř. The collection documents the traditional folk culture of Ukrainians in eastern Galicia and Bukovina (parts of the Austro-Hungarian Empire) in the last decades of the 19th century. The collection is located in the Department of Ethnography of the National Museum in Prague and is currently analysed by Czech ethnologists in cooperation with Ukrainian art historians.
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    Religious Objects in František Řehoř’s Ethnographic Collection: An Analysis of Wooden Works of the Byzantine Rite
    (Czech Ethnological Society, 2022) Bolyuk, Oleh; Pohunek, Jan
    This article presents results of the analysis of various artifacts from the collection of Czech ethnographer František Řehoř, which is housed in the National Museum in Prague. Our historical and artistic analysis concern religious objects that were collected in the former Kingdom of Galicia and Lodomeria during the last quarter of the nineteenth century. The oldest collectible works of art, representing the Eastern Byzantine Christian Rite, date from the eighteenth century. An attempt to reconstruct the original purpose and appearance of valuable artifacts is proposed.
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    Technique of Beads Decor in Ukrainian and Lithuanian Folk Textile.
    (Lithuania, Kaunas: KTU; Faculty of Mechanical Engineering and Design, 2019) Bolyuk, Oleh; Fedorchuk, Olena; Kumpikaitė, E.; Milašienė, D.; Nenartavičiūtė, E.
    The textile prints have soundly taken their place among the modern interior design. On the other hand. they have become especially popular as an element of clothing decoration. II is also easy to create drawings on the textile fabric surface at home by using the imprint of the paint previously applied to the stamp. This again popular method was known in Asia, Europe and America since ancient times because the primitive stamping on the cloth sur-face exists for about 3000 years. The Lithuanian Folk printing is thoroughly analysed in the article by O.D. Alekniene. In the album about the printing of Estonia some of the presented ornaments have ana logues of decor of both Lithuanian and Ukrainian wooden cliches for fabrics. Fundamental research about this old method of fabric printing in Ukraine is still not published, despite the fact that the manuscript by R. Dutky was prepared. In 20th c. Eastern European printing for folk textile, in particular Polish and Ukrainian studied R. Reinfus. The aim of this article is to present an analysis of oil and water folk textile printing instruments and techniques, typology of stamps and to clarify some local names of printed products. The novelty of this research is the first try to analyse and compare Lithuanian and Ukrainian instrumentation for decoration of folk textile.
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    The Art of Wood Carving in Carpathians. Ukrainian master of aesthetics from Boikivshchyna
    (CLUEB, 2019) Bolyuk, Oleh
    Based on one of the most important theoretical approaches – systematic – it was considered creative and emotional activity of masters-carvers in Boikivshchyna. As the result of this work became artistic and aesthetic products for household, ceremonial, religious and other purposes. The main attention is paid to the types of woodcarving, local artistic preferences and product range of Ukrainian highlanders in one of the parts of the Ukrainian Carpathians. Chronological retrospective made it possible to trace individual sustainability of creative ideas and their modern interpretation.
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    Tradicinis audinių marginimas: Vakarų Ukrainos ir Lietuvos meninis ir stilistinis palyginimas
    (Lietuvos nacionalinis dailės muziejus, 2023) Bolyuk, Oleh; Bernotaitė-Beliauskienė, Dalia

    Traditional textile patterning: an artistic and stylistic comparison of Western Ukraine and Lithuania

    Traditional patterning is an ancient craft where dyes and various patterns are used to decorate home-woven fabric. Patterns are created on the surface of the fabric by using wood-carved matrices. In Eastern Europe – in Poland, Belarus, Slovakia, Slovenia, Hungary and Ukraine – the decoration of fabric using wooden stamps has been practiced for centuries and was rather widespread in folk textiles up to the late 19th to the first half of the 20th century; the same may be said about Lithuania, too. The material required for this research was collected from museums in Ukraine and Lithuania. The collections of Lithuania’s museums have very few cliches/stamps and the small number of works displaying this decoration technique shows that patterning was not very popular here. Among Lithuanian interior textiles, we find tablecloths, bedspreads and rugs decorated with such printed patterns, and among items of clothing, we can mention vests, skirts, scarves, shawls, aprons and accessories. Among Ukrainian interior textiles, bedspreads, tablecloths and towels would be decorated in this way, while among clothing items – skirts and trousers. The Ukrainian patterned ornaments can be said to be more graphic in their appearance than are Lithuanian designs.

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